b'drils, and the strands of the fence itself, and printed these in different sizes, some quite large, cutting around the principal shapes and splicing the pho-tograph remnants together loosely into an extraordinary collage, to serve as the foremost plane of her hybrid painting. The blues and purples of the flowers provide the cool tonality that the skyline buildings provide in most of her other works. Weaving through these photographic collage elements, Ruttenberg draws and paints the same elements observed in non-photo-graphic colors and shapestendrils, leaves, and so onwith a dizzying exuberance. The figuressome no more than rough drawings, others painted in miniature, others represented by more collaged photographsare observed through the diamond-shaped openings in the fabric of the fence. The painting teems with details, one more exciting than the next. Take the large leaf at righthalf photograph, half paintingwith holes as Left: Detail from A Bees Dick.Right: Detail from Queens, NY (Party Series), by Spencer Tunick, 2007'