b'work at full scale on-site. To gather the stuff for her visionary large oil versions, for her daily park sessions, Ruttenberg brings along not only a camera, notebooks, and small canvases, but also rolls of extra large paper. Last year she began to call herself August Parker, for fun. She unrolls two roughly 4 x 15-foot strips of paper on the ground at her site along the northern edge of the Sheep Meadow, weighting them down against breezes with anything at hand, from rocks to bags of supplies. Once set up this way with a giant two-piece support on the ground, she canpaintlikeapastoral-mindedJacksonPollock.Sheusesthebest French watercolors to sketch her hallmark motif in the two horizontal layers: the immediate foreground where she is at work, with the lawn stretching off into the distance, and the bordering 59th Street skyline reflecting the weather and time of day. Later, in the studio, Ruttenberg Left: Detail from Roller Blades.Right: Detail from A Sunday on La Grande Jatte, by Georges Seurat, 1884.'